Back to Miss Bradbury! We posted a cut-out walkie with her on here recently. Going through her snapshots a number of walkies emerged, and seem to cover both her and her husband’s holidays over a twenty year period or more. Here are three more. I might have assumed the first to be just a family snapshot except it has the ‘Walking Picture’ backprint. It looks to be late Thirties to me, the dress pattern on what I assume to be proud Mum is very vivid, and it probably qualifies more as a just learned to walkie! The location didn’t have many clues but I thought the arched gable on the right looked like it might be by Scarborough harbour and so it proved (see the then and now below!). This location at Sandside was popular with walkie photographers and Miss Bradbury was snapped here as a teenager in the walkie below.
Walkie two was taken on Blackpool Central Pier in the late Forties. The V1 display which featured on the pier just after the war (which can be seen on the site) has gone but the Bicycle ride is still there. This is a busy walkie scene; Miss Bradbury and her father are walking toward the cameraman, but you can see a queue of people behind them waiting their turn.
Lastly Miss Bradbury is back in Blackpool for walkie three, this time the North Pier, but with her boyfriend (or perhaps by now her husband) on her right (Uncle on her left?) rather than her parents. She also has a box camera of some sort with her and the patterned frock suggests early Fifties.
This unusual walkie came amongst a clutch of snapshots I purchased at the local flea market last week. There was an entire box full of photographs from a house clearance, all from the same family, but very little to identify them. My guess is the teenager in the middle is a Miss Bradbury, flanked by her parents. It looks like she cut their heads out to mount into some sort of oval frame, but kept the rest of the print. The Bradbury’s lived in the Huddersfield area – all the snapshot wallets were from the town – and holidayed across the UK. On this occasion it was Scarborough, where they were snapped by a walkie photographer down by the harbour at a place known as Sandside (which has featured here before) probably in the early Fifties.
Here’s another distinctive Sunny Snaps walkie. We grumble today about chuggers on the high street, but it would have been practically impossible to get out of the way of the cameraman on this bridge!
It was sent in by Tim O’Neill and as you can see there is no location given, but Tim told me it was taken on the footbridge which runs from from Shoreham-by-Sea over the River Adur estuary to Bungalow Town. In the background of the walkie you can see the truncated spire of St Mary de Haura in the town centre.
As I have walked the bridge myself in the past, I was fascinated to learn that walkie cameraman had staked it out before the war. It’s one of those slightly bohemian but now gentrifying spots, bungalows built around old railway carriages, and a row of run-down house boats tied to the edge of the river banks.
The clothes rather puzzled me until Tim explained that the lad was dressed in his school uniform (Brighton College), hence the straw boater: “It is my father, Seán O’Neill, born November 1920 so he is age15½ here. He is returning from college to Norfolk Lodge, Bungalow Town, Shoreham beach, in the summer of 1936. His parents (my grandparents) lived in Bungalow Town from 1904 to 1939/40 when they were evacuated because of fears that the Germans would use Shoreham as one of their invasion beaches.”
Given the shadows cast, the photo must have been taken mid-morning. I went to check it out on the web and discovered that this early concrete footbridge (shown in the photo below) has recently been demolished and replaced by a shiny new thing.
So yet another south coast Sunny Snaps location; perhaps the print was sold from one of the high street shops on the Shoreham end of the bridge? There is more about Sunny Snaps on the site and more photo by them in the book Go Home On A Postcard.
This great seaside postcard shows five cheerful looking women posing with a stuffed felt donkey. I assumed it was taken by Sunbeam, they used a very similar donkey as a photo prop in Margate. But looking more closely, it turns out to be the Brighton Holiday Snaps kiosk on the left, and dates from around 1948. There had been seaside snaps businesses here in the Thirties, including the Krazy Komic studio. So perhaps Sunbeam took this business over after the war? A display with walkies and snaps in can just be seen along with an A-board showing the collection times.
The ice-cream kiosk also looks very tempting on the right; how many portraits like this being taken did the assistant there witness over the summer? It’s a puzzle why someone clipped the left side of the postcard, but there’s nothing missing from the actual image.
The Snaps kiosk featured in a Pathe short film which we covered a while ago on the site.
I posted these walkies some months ago, which remain a mystery – nobody so far seems to know where Wardoura Motion Pictures operated. Anyhow, I have had a go at animating the two strips to bring them to life a little and give us an idea of the camera operator at work. You can see the original post on the site.
This great walkie catches three women on a morning’s shopping expedition, though we don’t know where, as there is simply not enough clues in the photograph. That seems to be a biggish department store they’re striding past, and we can date it to 1938 as one of them has written it on the back, with two names, Marjorie Nilson and Violet Sawyer. The other woman is simply identified as a “lady friend”. I assume that’s Violet in the centre, with the hard to miss V patterned dress.
A postcard sized print, and no firm named on the back, the three have clearly just spotted the camera in time to smile, but otherwise it’s a very typical unposed walkie portrait.
Another great walking picture streetscape, this time from one of the Blackpool firm of Walkie Snaps‘ cameramen, with the town’s famous trams running past in the background, probably in the Thirties. I’m not even sure which couple the cameraman was trying to catch; the two women on the right, the well heeled couple with the hats, or the slightly more casually dressed couple to the left, who seem to be the only people in the frame to have paid any attention the cameraman. Either way someone must have purchased the print later in the day, perhaps from the Walkie Snaps’ kiosk at the town end of the pier.
Walkie Snaps went for the intentional film sprocket look for a while, perhaps in response to it being used by some rival firms, but dropped it later. I have not yet been able to find out much about the firm, despite them operating in the busiest seaside resort in the country from the Twenties into the Sixties. What we know so far is on the site. They seem to have always supplied three identical half postcard prints to customers, later cutting back to two to keep prices down.
As always, anyone with any information please get in touch.
The photo is from the forthcoming book Go Home On A Postcard.
You can see more Blackpool walkies taken on the Central pier on the site.
I have added a short history of Blackpool’s busy Walkie Snaps firm to the site, with a few examples and information. We would love to hear from people with examples of the firm’s output, or who worked for them post-War.
This postcard sized print came from a found photo album I spotted last month at a weekly market. I was after the walking pictures, but when the dealer offered me the whole album for £2 I couldn’t get my change out fast enough!
Sadly there is little to identify the album’s owner, who I think was the lady on the right. She clearly holidayed a lot in Skegness, and I assume lived somewhere in the Derbyshire area.
Anyway, the three of them seem to be having fun at a Christmas dinner, and I suspect the photograph was done by a professional who covered the event and then let everyone order prints. It’s on that awful lustre textured paper which was popular back in the late Fifties; it is a real pain to try and scan, but a bit of tweaking has helped. I couldn’t resist trying a version with the cracker masks coloured in!